While I think most aspects of the 50th Anniversary SG should really reflect the best of the original's qualities (slightly more symmetrical horns, nice deep bevels, tapered horn tips and the beautiful, mirror-slick medium-to-dark true RED "cherry" color), I will say I feel the sideways vibrola is a really clumsy, borderline-useless piece of hardware and should only be available (if at all) as an OPTIONAL tailpiece beside the more attractive (and in my opinion very useful---I can't live without 'em) Deluxe Maestro Vibrola. I think the "50th Anniversary" model should be kind of a fits-all definitive, truly accurate body (Henry, hire me to help your R&D guys get it right...all the Gibson Forum guys will back me up on that...just give me the prototype as payment

) with tailpiece and finish options that harken back to the early and mid-60's glory days.
You want a Pelham Blue Standard with a Maestro and nickel hardware? Got it! A stoptail-equipped one Candy Apple Red or "Sparkling Burgandy"? OK! How about a basic '65 style (non-faded/non-washed) Cherry Standard with the Maestro and all-chrome parts? Sure! I mean, after all, if we're going to have to pay premiums, shouldn't we get made-to-order, perfect little dream machines? Yeah, there can still be the ubiquitous "stock" models that are available for the shelves and hangers in the stores or "big box" type dealers. And I think those should be simply a USA '61 Reissue with the stoptail and Maestro tailpiece options (and why not the same options for the USA Standard too??? It'd go over well, we all know that), maybe offer a few more finish options on both, and those can be the equivalent of the "F"-brand's import "reissues" (only better, since they'd be USA reissues), while the Custom/Historic series can be that more tailor-made niche at a little more cost. And then for the really, really interested, you can offer those sideways vibrola-equipped aged/relic'd models that look good hanging on the good doctor's wall or whatever (let's PLEASE drop the "VOS" and just have "new" or "not-new" looking instruments...PLEASE?!?!?).
I think this forum is a brilliant idea, Henry, and I hope that it acheives the same level (if not MORE) of true customer/customer-relations interaction as the Gibson Forums offered a little more than a decade ago when myself along with dozens of other forum users (and the help of Gypsy and some of the other folks there who really listened) brought us guitars such as the far too short-lived USA SG'61 w/Maestro and the USA Firebird VII w/Maestro. I would love to see Gibson back on top in quality, customer relations, pride and REALLY bringing TRULY-authentic reissues of the ageless classics we adore so much. While I don't agree with some of the "new innovation" type instruments out there and feel that sometimes the quest for the "next step in the evolution" can override the mission to simply just make the best damned guitars on the planet, there's no reason Gibson can't do both. You just need to make both the vintage (or vintage "inspired") buffs AND the "next generation" happy.
Of course, isn't it funny how the next generation always still ends up eventually gravitating back to those classic designs? There's a reason for that.
So let's get to work and get that definitive SG reissue in its Standard, Custom, Special AND Junior forms going!
H-Bomb
PS...here are a few nice examples of the class, sex-appeal and aesthetic that those old gals had...let's recapture that!!!
(Notice the curves, the balance, the vibrant color...see what I mean???)
PSv2.0: Best SG players to me are Angus Young & Mick Taylor!
OK, Henry: here's the perfect SG reissue recipe (I KNOW you can pull it off if you WANT to): Historic spec nice deep beveling paired with the '61 RI's more period-accurate thinner tapered horn tips (and leave a little more on that bottom horn length to give it that true "vintage" semi-symmetrical illusion!); or bring back the Maestro Vibrola as an option on the USA '61 Reissue (along with the 1999-2003 consistent deeper bevels, which as of mid 2010 seem to be creeping back onto the '61 RI). And make either or both (whichever you do) of them nice "new" deep cherry red (not "washed" or "faded", and with good filler to avoid sinkage/shrinkage & don't skimp on the clearcoat...let's see some nice mirror-perfect finishes like those originals!). Leave the slabby halfhearted-reissues to the copycat companies overseas and start taking pride in REAL LOOKING REISSUES for us at home. Then I'm a customer again and will sing the praises of the "Big G" again!